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The closeout: how a defender spends his last two steps

Running at a shooter is the easy part. The last two steps determine whether the defender contests the shot, concedes the drive, or achieves neither.

The closeout: how a defender spends his last two steps
The closeout: how a defender spends his last two steps · Photo via Pexels
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The two things a closeout cannot both do

A defender arriving at a shooter is trying to contest a shot and remain able to move laterally if the shooter drives instead. These requirements conflict directly, because contesting well requires being close and upright while defending the drive requires being back and low. The defender therefore has to decide which he is doing before he arrives, and the decision is made on the basis of who he is closing out to.

Against a reliable shooter the contest is worth more, and against a player who prefers to drive the correct closeout is shorter and lower. A defender who tries to do both arrives upright and close, which is the position from which he can neither contest nor recover.

Decelerating before arrival

Most closeouts fail because the defender is still travelling forward when the offensive player makes his decision. The braking has to begin several steps out, with short choppy strides that lower the centre of mass and prepare the legs to push sideways. Those steps look slower and they are what allow the defender to change direction, which is the only quality that matters once he arrives.

A defender who sprints the whole distance arrives faster and is then a spectator, since forward momentum cannot be converted into lateral movement instantly. This is why the useful measure of a closeout is where the defender ends up rather than how quickly he covered the ground.

The angle of the approach

A closeout run directly at the shooter leaves both directions open, which gives the offensive player the full range of options. Approaching at an angle takes away one direction, usually the stronger hand, and forces the drive toward help that has been positioned to receive it. That angle is decided by the defensive scheme rather than by the individual, since it only works if the help is where the drive is being sent.

A defender who takes away the wrong side sends the offensive player into a region where no help exists, which is worse than not closing out at all. The approach therefore encodes a team decision, and closeouts are one of the clearest signs of whether a defence is organised or improvising.

The hand and what it is for

Raising a hand into the shooter's line of sight reduces the quality of the shot without requiring the defender to reach the ball. Which hand is raised matters, because using the hand nearest the shooter's driving side pulls the defender's shoulders in the wrong direction. Jumping at the shot is almost always an error, since a defender in the air cannot respond to a pump fake and cannot recover to defend the drive.

The contest that costs nothing is a high hand from a grounded, balanced position, which reduces the shooter's vision without conceding anything. Fouling a shooter is the most expensive outcome available, which is why the hand goes straight up rather than toward the ball.

Why the closeout exists at all

A closeout is a consequence of help defence, since a defender only has to run at a shooter because he was somewhere else a moment earlier. The frequency and difficulty of closeouts therefore measures how much help the scheme requires rather than how attentive the defenders are. A defence that helps aggressively will generate long closeouts and concede shots created by rotation rather than by an individual being beaten.

A defence that helps less will face more direct drives and fewer scrambles, which is a different distribution of the same total risk. Judging a closeout in isolation therefore misses the decision that produced it, which was taken several seconds earlier by someone else.

The short version
  • The closeout trades the contest against the drive, and both cannot be won
  • The deceleration must begin before the defender arrives
  • The hand raised matters less than the feet underneath it
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Sarah Williams
Contributing writer, Pro Play Wire

Sarah Williams writes on basketball for Pro Play Wire, focusing on what the evidence supports rather than what makes the better headline.

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